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A troubled young man still mourning the childhood loss of his family now has to deal with his professor being turned into a monster.

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As a child Jack Brooks witnessed the brutal murder of his family. Now a young man he struggles with a pestering girlfriend, therapy sessions that resolve nothing, and night classes that barely hold his interest. After unleashing an ancient curse, Jack's Professor undergoes a transformation into something not-quite- human, and Jack is forced to confront some old demons... along with a few new ones. A troubled young man still mourning the childhood loss of his family now has to deal with his professor being turned into a monster. No one has heard about Jack Brooks .. yet, that is. Or until you watch this first installment of a new franchise. Well actually there is nothing officially announced yet, but Mr. Monster Slayer himself (couldn't be more Anti-Buffy I guess) said himself, that they will try to make another one! (Frightfest 2008 in London)

And judging by this first effort, I'm sure it will be great. Because with the second part you will know his character and he will be Jack Brooks ... which he only becomes during this one. So in other words this is the rise of Jack Brooks or his beginnings.

A pretty good cast (having Robert Englund in your movie never hurts) and some pretty hilarious scenes (especially those Jack Brooks has with his Anger Management psychologist or whatever the guy is called) make up for a pretty good start ... Some pacing problems and a few minor script flaws can be easily overlooked (imo) ... enjoy the show/movie! :o) After viewing "Still Life", a short film directed by Jon Knautz, I was genuinely excited for his feature film debut, "Jack Brooks: Monster Slayer". "Still Life" had perfectly captured the essence and feel of an episode of "The Twilight Zone" and I was eager to see what Knautz could do when taking on the horror-comedy genre. The campy nature of the name and promotional materials suggested something along the lines of "Evil Dead" or "Army of Darkness"; a fun, gory, 80's style horror flick with lots of monsters. While that was what Knautz was going for, he utterly fails at capturing any of the fun or entertainment value these movies had.

The problem with "Jack Brooks: Monster Slayer" is that it completely lacks an understanding of what made these horror-comedies, that it tries to evoke, so great in the first place. Two-thirds of the running time is primarily devoted to the film's hero, Jack Brooks, a plumber and college student, as he goes to class and attempts to deal with his uncontrollable bursts of anger. There's nary a monster in sight for the greater part of the film, barely even a drop of blood or the slightest attempt at anything horror-related. Even if "Evil Dead" or "Dead Alive" had subsequent amounts of the gore cut out, they'd still be entertaining. "Jack Brooks" isn't. It's plain boring, which is the worst thing a film of this nature can be. Jack Brooks himself is not all that interesting, at least not enough to warrant the amount of screen time he's given. All one needs to know about him is revealed in the films first ten minutes and from that point on, whenever he's not beating the pulp out of a monster (and he rarely does), he's not worth watching. The movie goes nowhere, following him around on psychiatric sessions and scuffles with classmates.

Eventually things do pick up. Jack Brooks battles a few monsters, some heads are crushed, a few humans are slaughtered, and then it's over. Just like that. All within the span of about fifteen minutes. It is a good fifteen minutes. The monsters are all fairly inventive (and done entirely in camera) and there's some great gore gags (the best being a zombies head crushed in), but after sitting through seventy-five minutes of pure tedium, fifteen minutes just isn't going to cut it.

That's really all there is to it. I could ramble on about the acting which is fairly well done (especially horror icon Robert Englund in a non-traditional role) and how the creature prosthetics are a nice throwback to the days when films didn't use CGI, but it really doesn't matter. "Jack Brooks: Monster Slayer" is utterly boring and while Jon Knautz obviously does have the talent to create a good film (once again, the last fifteen minutes are killer and "Still Life" was amazing – check it out), "Jack Brooks" completely misses the mark. It has its successes (acting, make-up), but those don't change the fact that it's not very entertaining at all. The screening I caught this at had the director and cast in attendance. One piece of information I picked up was that a sequel was in development and that this time, it would focus more on fighting monsters as opposed to "the creation of a hero". My advice: skip this one and wait for the sequel. Cheerfully gross, deliberately retro horror picture pays tongue-in-cheek homage to the kind of genre movies Charles Band and Roger Corman's companies turned out in the 1980s.


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When the leader of a team of scientists volunteers to be the test subject for their experiment in human invisibility, he slowly unravels and turns against them, with horrific consequences.

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When the leader of a team of scientists volunteers to be the test subject for their experiment in human invisibility, he slowly unravels and turns against them, with horrific consequences. A group of scientists, led by the brilliant yet eccentric Twinkie-addicted Sebastian Caine, are successfully researching invisibility. Having accomplished making animals invisible, Caine insists on being the next subject for the experiment. Unfortunately, the serum effects not only the external physical nature of the subject, but morphs the internal personality too. And that's when things start to go horribly wrong... Hollow man was a good movie but it could have been better. Elizabeth Shue looked totally different. The opening scene with the rat was very good and gets you chills from the beginning but stops at that point for about 45 minutes. The previews makes it look like the best film ever but it just disappoints you a little. But the elevator scene at the end was some of the best special effects ever. You know a movie is worthless when, on a Saturday night watching it in your dvd with nothing else planned, you have to fight to finish it. What passed for a modicum of plot and character development at the beginning of the movie yielded to nothing but nonsense Freddy Kreiger slasher stupidity by the last third. Won't spoil by addressing particularly stupid aspect toward the end (as if you could spoil this movie), but what was Kevin Bacon thinking? A terribly bad movie, one of the worst of its kind in recent years. That being said, the basic premise of the movie is very similar to that of the book. A young, brilliant, but emotionally unstable scientist invent a way of becoming invisible. He tries it on an animal and then on himself, but can't become visible again (for different reasons though). Eventually this turns him crazy and evil, he suffers from delusion of grandeur and murderous rage. The protagonists have no choice but to kill him in self-defense. Certain small details are borrowed from the book, like using makeup and falling water to break invisibility (although in the book these methods are only discussed), and the fact that body becomes visible again after death.


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"Marvel's The Defenders" follows Daredevil, Jessica Jones, Luke Cage and Iron Fist. A quartet of singular heroes with one common goal - to save New York City. This is the story of four solitary figures, burdened with their own personal challenges, who realize they just might be stronger when teamed together. Set a few months after the events of the second season of Daredevil, and a month after the events of Iron Fist, the vigilantes Daredevil, Jessica Jones, Luke Cage, and Iron Fist team up in New York City to fight a common enemy: The Hand. The Defenders has the potential of being an amazing series with the type of fan base and longevity not seen since series of the 80s and 90s. It's not right to cut us off after one season. I get it that Netflix wants to continue to diversify its interests in each individual brand, but it just stinks for the fan to see what could have been... BOO! OMG I had such high expectations for this show, since Marvel release such amazing content. Unfortunately this show does not look like a Marvel production in any way at all! The script is horrid and awkward (no fault of the actors), cinematography is amateur, and so many parts of it is just so unconvincing. It just seems as if no effort went into writing this at all. If there wasn't anything else to watch, I wouldn't have bothered to finish the show, however I regret doing so. Definitely won't be watching season 2 if it ever makes it out.


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After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler. With the arrest of Lord Blackwood, Sherlock Holmes and Dr. John Watson believe they have stopped one of London's most dangerous killers, responsible for five deaths and about to commit a sixth when he is apprehended. Several months later he is hanged for his crimes but rumors begin to circulate that he is in fact still alive, having used managed and the black arts to escape society's judgment. When they disinter his remains, they find the body of another man in the coffin. Soon, all of London is atwitter with the news that Blackwood has risen from the dead and for some, he is the devil incarnate. With the assistance of the very capable Irene Adler, Holmes and Watson must stop Blackwood before he can initiate his master plan: the takeover of the British government and eventually, world domination. A must watch excellent piece of work .It meets all the expectations of a typical Guy Ritchie movie. The musical note across the movie is really good. The music goes in sync with the video unlike many other famous movies. The movie has the proper mixture of humor,thriller and action delivered to the perfection. A piece of art.A must watch.This movie will definitely win many more awards.I would like to see this movie nominated and win the Academy awards for the best music direction. Hats off to Guy Ritchie and his team.Robert Downey Jr. and Jude Law have done good acting.A must watch excellent piece of work .A must watch excellent piece of work .A must watch excellent piece of work . Sherlock Holmes is a detective done many many times, but not in such an action orientated way, until now. Yes Guy Ritchie throws us into Victorian London and all the dark alleys you can bare for one movie, he not only creates a detective story but also makes Sherlock Holmes a dirty fighter as well. For me this movie was well kind of disappointing, I mean don't get me wrong this movie is not bad and I'd never tell someone to not watch it but it feels mediocre and just like a typically made movie full of action but the bad thing about all that action is it tries to divert you away from the poor parts of this movie.

Our story see's Holmes living in 1891 and he is of course working with his as ever present partner Dr. John Watson who is also his closest friend(if you could say he indeed really has any). The story revolves around a plot to basically take over the British Empire with supposed black magic; yes this is truly some supervillain stuff going on. Holmes is portrayed by Robert Downey, Jr. who makes Holmes kind of seem a little mad, I mean through his mumblings you can barely make out what he says but I did feel RDJ was OK and right for the role too. Jude Law is Watson and again he is OK but my main problem with both Holmes and Watson together is they really lack any chemistry when on screen, I felt when they were apart they were better as characters and although the odd joke works well between them, all in all it is fairly poor.

I liked but also disliked Guy Ritchie I mean he knows how to get this movie done, he churns out a movie that just goes over 2 hours and manages to at least make it bearable and not exactly boring. My main dislike is though that he throws into your face a kind of overly smart feeling, he wants Holmes to look smart and cool but for me he just doesn't feel that cool, sure the action scenes look good but as a character I disliked a lot of the lines given to RDJ where he is trying to make Sherlock look smart or funny. The ending is the best part of the movie; it is exciting at least and contains moments that make this slightly more enjoyable. The start is the slowest part of this and it feels like it takes a little too long to truly kick in with the pace it truly wants to go at.

What can be said is actually really good about this? ,well actually it has it's fine moments, the score by Hans Zimmer is nicely done and really sets the scenes well, one of the more memorable things contained in this. I enjoyed the Victorian setting as it looks nice and the sets and also to mention the costumes looks great, I respect Ritchie for getting the overall vibe right, dark when it wants to be but not always. I will say though this movie does feel like a Hollywood action movie shoved into a bottle and relabelled as Sherlock Holmes, it never quite gets it right I felt and yet again as I say people can enjoy this, for me it just didn't work though.

It's an average movie that lacks substance and also any refreshing new ideas that could have made this really quite great. The problems don't amount too a lot I mean this just amounts to a movie that is underwhelming but not exactly bad though, in fact it's not even poor in my opinion. One thing to say is that a certain person who I won't mention for spoiler reasons who is basically the bad person in this is really good and the person playing them plays a great villain's job, kind of ruined though by the overall plot. I think what it had to do was create a movie that didn't feel stale and also didn't have to divert the viewers attention from the under lying story with thrills and big fight scenes, I see why Ritchie did it though because I feel it worked. Ritchie has never worked on a scale anything approaching this before and, while some of the directorial affectations are distracting, he keeps the action humming. London Detective Sherlock Holmes (Robert Downey Jr.) and his assistant Dr John Watson (Jude Law) are called into service by Scotland Yard Inspector Lestrade (Eddie Marsan) when Lord Henry Blackwood (Mark Strong), who was recently hanged for practicing the black arts and murdering five women, has seemingly risen from the dead. They learn that Blackwood has murdered several prominent members of the Temple of the Four Orders, a secret society that uses magic to do good, and plans to take over Parliament as a stepping stone to taking back the American colonies, who are currently engaged in a Civil War. Meanwhile, Watson is planning his marriage to Mary Morstan (Kelly Reilly) while Holmes must deal with his old adversary, professional thief Irene Adler (Rachel McAdams), who is working as an agent for a mysterious professor. The character of Sherlock Holmes was created in 1887 by Scottish author Sir Arthur Conan Doyle (1859-1930) in A Study in Scarlet and went on to appear in three more novels and 56 short stories. However, Sherlock Holmes, the movie, is not based on any of Doyle's books but on a screenplay by British screenwriters Michael Robert Johnson, Anthony Peckham, Simon Kinberg, and Lionel Wigram. A sequel, Sherlock Holmes: A Game of Shadows (2011), was released in 2011. Dr. John H. Watson is portrayed in the original stories as the friend, sometime roommate and professional associate of Sherlock Holmes. Watson serves as a historian of sorts for Holmes' cases and also as the narrator for all but a few of Doyle's original stories (Holmes narrates two of them and two are told in the third person). Watson will at times attempt to use deductive reasoning when asked by Holmes what his thoughts are on any particular subject pertaining to a case and will quickly be corrected by Holmes when he is wrong. In the original stories Watson was about the same age as Holmes and, far from being a bumbler, he was a former Army surgeon and a competent medical doctor. (It is true that he wasn't as capable of Holmes' brilliant feats of deduction, but few others were.) The portrayal of Watson as a fat bumbling old man dates from the Basil Rathbone/Nigel Bruce films, which are not entirely faithful to the original stories. Since then, there have been several more recent film and television adaptations that portray Dr. Watson accurately as a slim and capable man of action such as The Seven-Per-Cent Solution (1976), the 1980s TV series, The Adventures of Sherlock Holmes (1984), and the most recent adaptation of The Hound of the Baskervilles (2002). In the original stories, Holmes is said (and sometimes shown) to be, among other things, a highly skilled amateur boxer. In the short story, "The Adventure of the Empty House", he uses a martial art popular at the time called Bartitsu, although Doyle misspelled it as "baritsu." The martial art mainly seen in the film, in particular the bare-knuckle boxing match scene, is Wing Chun. This is displayed through the straight-line punches, the use of the three lower knuckles and a sideways punch, the attack on the solar-plexus, the deflection of punches using the forearm (tan), the deflection of punches using a sweeping motion (lap), and the use of the front kick. Holmes is known for being quick, agile, and effective, and Wing Chun is just that, therefore suiting him perfectly. That hat is called a "deerstalker," and as its name suggests, it's a hunting cap. In Arthur Conan Doyle's original stories, Holmes is never expressly said to wear one, although in one story ("The Adventure of Silver Blaze"), Watson describes a hat that could be a deerstalker and the original illustrator of the story, Sidney Paget, shows him wearing one. Another illustrator shows him wearing one in "The Valley of Fear". In each case, Holmes is traveling in the country, so the cap is more or less appropriate. But Holmes, who liked to dress well in the stories, never committed such an embarrassing contemporary fashion faux pas by wearing one in urban London; it would be the equivalent of a detective today being dressed up on duty as Elmer Fudd's hunting garb. (Many of the illustrations to the original stories show him wearing other, more suitable hats.) The popular association of Holmes with the deerstalker began with the stage play by American actor and playwright William Gillette, who portrayed Holmes onstage wearing such a cap. Apparently the makers of this film decided to have Holmes wear more historically and fashionably accurate headgear. Gillette is also credited with Holmes' Callabash pipe, which he used onstage because it allowed him to talk while still having the pipe in his mouth. Yes, Holmes occasionally used the drug when he did not have a case to stimulate his mind. Holmes was not breaking the law at the time because, even though drug use was considered a vice in 19th century England, it was not illegal. Holmes' other vices were morphine, cigars, and his trademark pipe (The Gooseneck pipe was not mentioned in the books, but was an addition by a stage actor who didn't want his face obscured). The Seven-Per-Center Solution, based on the novel of the same name by Nicholas Meyer, has Watson trying to help Holmes deal with his addiction. V.R. stands for Victoria Regina, better known as Queen Victoria, who was the Queen during Holmes' time. Sherlock Holmes rented an apartment at 221B Baker Street, City of Westminster, London from his landlady Mrs. Hudson. This was a fictional address created by Doyle. At the time, Baker Street addresses only went up to 100. Holmes lived on the second floor, as indicated by the apartment number. The sitting-room served as the scene for most of his interviews with his clients. Currently, 221B Baker Street serves as the Sherlock Holmes Museum. It is the first Museum in the world to be dedicated to a fictional character. The restaurant they ate in, when Holmes insults Watson's fiancee, is the Reform Club near Buckingham Palace, a club for politicians and those who move in political circles. It was the start of Phineas Fogg's journey around the world as portrayed in Jules Verne's novel Around the World in 80 Days (1879). Watch the scene where thoughts are flowing through Holmes's mind as he recreates the ritual at the Punch Bowl. There is a brief blink-and-you'll-miss it shot of the Frenchman, Dredger, breaking Reordan's neck, followed by a shot of Reordan in Blackwood's coffin. With Blackwood hanging dead from the Tower Bridge, Holmes sees to Irene, having been pushed off the platform by Blackwood. She is unharmed, so Holmes (remembering her previous words, "I don't want to run anymore") cuffs her, and waits for the police. In the meantime, Irene reveals that the mysterious man for whom she was working was Professor Moriarity. He found my weak spot, Irene admits, and warns Holmes not to underestimate Moriarity in the future. Holmes chuckles, put the key to the handcuffs down Irene's bodice, takes the diamond pendant from around her neck, and kisses her goodbye. Some days later, as Watson arrives with Mary to move out of 221B (look for the diamond pendant now appearing as an engagement ring on Mary's finger), Watson and Mary find Holmes hanging from a ceiling noose, trying to discover how Blackwood managed to survive the hanging. Holmes deduces that he used a hook and a body harness to take the weight off his neck and a serum made from the Rhodedendron ponticum to induce paralysis, which is why Watson could feel no pulse. In the final scene, Constable Clark (William Houston) stops by to inform Holmes that one of their officers was found dead in the sewers, killed by a small-gauge bullet between the eyes. Holmes deduces that Moriarity created the diversion with Irene, knowing that Holmes would chase after her, so that he could steal the part of the chemical converter that allowed it to be activated by radio waves. Realizing that Moriarity might be as clever as Irene described him, Holmes puts on his hat and declares, "Case reopened." Only partially. Sherlock Holmes is portrayed as a smooth-talking, handsome hero-type character. Doyle's Sherlock Holmes is portrayed as a man with weak social skills but a strong mental intellect. Other features such as his martial arts skills are conserved from Doyle's works but amplified or even exaggerated. Finally, the general focus of the character (investigation, deductions, fights against evil, etc.) have been kept active. Yes and no. It's an exciting, pacy thriller. However, the trailers definitely emphasized the action elements of the plot and the sexual undertones. The actual film, while having its fair share of fast-paced action, also has plenty of the sleuthing, deductions and wit associated with the Sherlock Holmes character. The sexual undertones are also much subtler in the film than what appeared in trailers and other publicity. The trailer also seems to contain some scenes which have been cut out of the final version of a movie. No. They are more like brothers in this movie. Holmes even asks, "Why would I be not invited to my own brothers country home, Watson?", at one point. The suggestion of homosexuality is due more to the publicity surrounding the film, including Robert Downey Jr's frequent joking about the movie's supposedly gay content, rather than anything in the film itself. John Watson (as per Conan Doyle's stories) is engaged to be married, and there are strong romantic undertones to Holmes's friendship with Irene Adler. In keeping with the original stories, however, Holmes does not take it further. Though it is a phrase that has been uttered in popular culture and in movies based on Sherlock Holmes stories, the detective never uttered the phrase in full in any of the Arthur Conan Doyles stories: he did say "Elementary" in some stories, and "my dear Watson" in others, but never the two together. The phrase is largely the creation of writers who have worked on other Holmes stories independent of Doyle's (beginning with American actor/playwright William Gillette, who, with Doyle's blessing, wrote and starred in a stage play about Holmes in which he used the phrase). Holmes does not utter this phrase in the movie. Yes, Doyle did kill off Holmes in the story "The Final Problem" in a shared death plunge into a waterfall with his archenemy Professor Moriarty. Fortunately, Sherlock was restored, when disappointment among fans and large fees offered by publishers prompted Doyle to bring Holmes back in the short story "The Adventure of the Empty House". An alternate version of that story can be seen in The Seven-Per-Cent Solution. Yes, several writers for books, movies, radio and television shows have contributed Sherlock Holmes stories not considered canon to the original Arthur Conan Doyle stories, but they are interesting and usually keep with the original spirit of the character. Examples include:

1. Arthur Conan Doyle's son contributed some Holmes stories in his The Exploits of Sherlock Holmes co-authored with John Dickson Carr.

2. Holmes is featured in a series of German-written books by author Theo van Blankensee, in which many of the characters such as Watson are replaced with other regulars who assist Holmes.

3. Young Sherlock Holmes (1985) (1985) is about a teenage Sherlock Holmes in school, and contains some fantasy elements not seen in the original stories (although in typical Holmesian fashion, the fantasy is the result of clear science).

4. Mystery writer Laurie R. King has written a series of Mary Russell books in which a retired Sherlock Holmes meets a young woman named Mary Russell who becomes his friend and partner as he begins to teach her the art of detecting.

5. Stephen King has even written a Sherlock Holmes story, called The Doctor's Case. It was published in "New Adventures Of Sherlock Holmes" and in his short story collection "Nightmares & Dreamscapes." It details a case where Watson actually solved the crime before Holmes.

6. Michael Chabon also contributed to the Holmes canon with The Final Solution, about an ancient Sherlock Holmes solving one last mystery (although his name is never used in the story and left for the reader to infer.)

7. Nicholas Meyer, the noted author and film director, wrote three Sherlock Holmes pastich novels, The Seven-Per-Cent Solution, The West End Horror and The Canary Trainer, the first of which was adapted into a film of the same name..


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